The drawings that are part of Vincent’s letters to Theo are interesting and all his talk of etchings and drawings by other artists, as well as his own, led me to the catalogue by the Metropolitan Museum “Vincent van Gogh – The Drawings”. (The catalogue is from a 2005 exhibit.) It’s too bad I missed this exhibit but maybe some day I’ll see his drawings in person. Years ago I saw a number of his paintings in Boston and was completely awestruck. I think the drawings would have the same effect.
Here is a synopsis of the exhibit/catalogue by Eric Gelber on Art Critical:
It is said that his best drawings, the drawings considered his most important, were the ones that were done during July and August 1888 in Arles. (also, notice – done with the reed pen.)
from Vincent’s letter to Theo:
“Now the Harvest, the Garden, the Sower, and the two marines are sketches after painted studies. I think all these ideas are good, but the painted studies lack clearness of touch. That is another reason why I felt it necessary to draw them.”
Usually artists draw as a preliminary step to a painting – working out the kinks. But, many times Vincent would draw after a painting to study it further or to show his brother Theo what he was working on.
You know how people always talk about going full circle? Well, this is one of those instances. How it happened is a mystery but I recently rediscovered Van Gogh’s letters online. Yes, I’d seen them online before, noted it, and moved on. This time, however, I’ve become obsessed with them – again. The first obsession was a very long time ago, hate to even admit how long ago, (so I won’t) when I read them straight through like a novel. It occurred to me this time that Vincent was the first blogger – writing about his thoughts, inspiration and moods while adding drawings to illustrate his point in his letters to Theo. Now that I’m much older and maybe a little wiser, I’m understanding more and relating better to what he had to say.
Although it’s fun to click on various topics, you can go to the Calendar of all letters and just start from the beginning.
“Mauve takes it amiss that I said, `I am an artist,’ which I won’t take back, because it’s self-evident that what that word implies is looking for something all the time without ever finding it in full. It is the very opposite of saying, `I know all about it, I’ve already found it.’ As far as I am concerned, the word means, `I am looking, I am hunting for it, I am deeply involved.'” Vincent van Gogh from a letter to his brother Theo
Yes, of course it’s another beach painting from Hobe Sound Beach. But, this time it’s done in pastels. Finally, I’ve gotten around to trying out the pallet of John Pierce Barnes to see how complete it is. Here’s the link to the older post:
It was very complete, just needed to go back to the big box for one stick of a darker tan and one better mid tone flesh color. It was nice to be limited to the smaller selection of colors and yet I felt as though I had plenty to choose from. Makes for a very portable pastel kit. If you do any plein air painting you know that’s a huge plus.
More beach paintings! This time I’ve included a picture of each painting in their frames. These are small works, all 6×8 – oil on panel, and look great in wide white molding frames – the width of the molding is about 3 1/2 inches.
The brilliant blue is compliments of Gamblin – go to www.gamblincolors.com and click on Torrit Grey to see the paintings that were submitted. This year all Torritt Grey participants (remember the Torritt Birds http://hobesoundartist.com/2012/09/29/torrit-bird/) received a free tube of “Cote d’Azure” along with another tube (mine was white). The backstory is that their master paint maker, Matt and his wife Liz went to France for their honeymoon and the water inspired this color. The color is perfect for Florida, hope they keep making it!
The paintings are all down at a small, new boutique in Hobe Sound; Juno Shoe Girl on S. Dixie Hwy. The shop has a beachy theme and my beach paintings have sold well there. You can find more information about Juno Shoe Girl here: http://junoshoegirl.com/
STORIES BEHIND THE FACTS. This project is made possible by Anne Marie Toccket, Carlos Camacho, Arielle Teer, Ben Sarah and Albie Fishbein-Brewer, David Zak, Fitz Fitzgerald, Ceci Ebitz, Abi Beddall, Mark Dixon, Nate Kling, Erin Tobin, Joe Herbstritt, David Bernabo, Steph Herbstritt, Sondi Stachowski, Anne Cortese, Christine Waller, Donna Sommer, Theo Keller, Jim Price, Chris Donadio, Brennan Kaye, Andrea Johnson, Michael Wacht, Jackie Heilman, Chris St. Pierre, Teresa Martuccio, Jason Clearfield and Rosanne Spolski.