Recently I was asked to do a demonstration of my method of painting with watercolor and pastels at a local art club. It was a fun morning and well received. Here is the painting I did for them that I started with a watercolor underpainting.
Recently I discovered a website that allows artists to upload their work and make it available for the public to buy as prints. They will even frame it! They will do giclee prints on stretched canvas as well as paper prints and there are a number of good quality papers to choose from. The frame selection seems limited, but it could be that I haven’t seen all they have yet.
My page has three galleries – Landscape, Still life and Animals. If you click on the gallery link on the right you will be able to go there and see what I have so far. If there is anything anyone would like made available, just let me know either in the comments or via email and I’ll see if it’s something that can be done.
If you are interested in making your own gallery there, it wasn’t hard to do [and it’s free], but do recommend that you get your images ready – they need to be higher resolution than 800×800.
“A Trip Down the Loxahatchee” by Jim Snyder will debut on Nov. 21 when the Jupiter Inlet Lighthouse and Museum holds the “Lighthouse River Rendezvous.” The annual fund raiser will unfold along the river, at the foot of the museum, on Saturday evening starting at 6:00 pm. http://www.jupiterlighthouse.org/jupiter-events-november.php
This coffee table book is made up of paintings and photographs by local artist of the Loxahatchee River and will be for sale in local gift shops. Some time ago Jim asked me if he could include this painting in the book and of course I said yes. It’s a small pastel painting that I did on location.
It’s rare to get free publicity, at least for me it is, but one of my paintings will be in the next issue, July/August, of Fine Art Connoisseur magazine. (not on newsstands yet) http://www.fineartconnoisseur.com/
The magazine is one of those well done, high quality, shiny art magazines that is aimed at collectors.
My painting is part of a photo essay on painting in parks, which is something I love to do. One of my favorite parks is a local one, Jonathan Dickinson State Park and the painting is one of several I’ve done of the Loxahatchee River. You’ve seen it here before, but here it is again:
You can see other paintings that are part of the Painting the Parks program on the Fine Art Gallery page.
Yes, of course it’s another beach painting from Hobe Sound Beach. But, this time it’s done in pastels. Finally, I’ve gotten around to trying out the pallet of John Pierce Barnes to see how complete it is. Here’s the link to the older post:
It was very complete, just needed to go back to the big box for one stick of a darker tan and one better mid tone flesh color. It was nice to be limited to the smaller selection of colors and yet I felt as though I had plenty to choose from. Makes for a very portable pastel kit. If you do any plein air painting you know that’s a huge plus.
This lake is located within the community that we live in. It actually doesn’t have a name, as far as I know. Out in the middle there is a small raft that turtles and the occasional alligator sun themselves. Turtle Lake seems like a good name.
The pastel painting was started with a water color underpainting. Just using the maroon color in the land masses and a rosy pink in the sky and lake enables me to then quickly put in the middle values. You might notice that I didn’t use any green. Honestly, I just felt like not using green so this is probably considered a tonalist painting.
In honor of Father’s Day I thought I’d post this pastel of my father’s truck. Don’t be surprised if I post it again next year! It’s not a new painting, but a favorite. He never finished restoring the truck so that I could paint the “after” shot, but he did see and love this painting.
This pastel is done on a maroon piece of acid free mat board that I sanded a bit to give it a little more tooth. When you sand mat board or paper (sometimes it helps to rough up Canson paper before using it too) you should use a very fine sanding block, not regular sand paper. The block is sturdier and won’t make unwanted bends, folds or marks on the paper. Just a gentle once over is enough.