This Way to the Beach

Image | April 23, 2012May 5, 2012 | Doreen E. Lepore

This Way to the Beach – 6×8 oil on panel

Using very visible brush marks and staying away from detail – Done!

Yesterday I was very non-communicative, keeping everything inside as usual. My apologies – especially to myself! Here’s what I meant to say:

This path to the beach is on Jupiter Island, FL and really does have the perfect “S” shaped path that is a must component for a perfect composition.

(Read Edgar Paynes book: “Composition of Outdoor Painting” for other great compositional tips.)

The “S” shape leads you into the painting and makes your eye wander around. In this case it wasn’t something I made up – I found it there while driving down the road to the beach on the north end of the island. It’s private property so I couldn’t just pull over and paint. But, I usually just snap a picture so that I can paint it later when presented with a situation like that. Actually I also will take many pictures for later reference even if I’m on location painting.

Painting from photographs is a challenge because the camera doesn’t duplicate what we see with our eyes. However, there are two things that are good about photographs – one you can take your time with the painting because the light won’t be changing and second you can view the picture on your computer screen and it’s a fairly good replication of outdoor light. The one thing I modified immediately was to not include the “for sale” sign in front of the bushes. Next I decided that in order to compensate for the unruly shadows produced by the camera I would paint in a lighter range, something I’m working on in general.

Chorus Line

April 19, 2012May 5, 2012 | Doreen E. Lepore

The practice of setting up a small still life and limiting the time you spend on it has been around for a long time and it’s a practice that I enjoy. Some of the most inspiring subjects are in the produce department and I find myself there testing the bartlet pears quite often. Most people might be looking for softness, ripeness, but my tests are: can the pear can stand on it’s own, is it a shapely pear, and of course, how good is the color?

Once they’re home with me, I set them up with dramatic lighting, as if they are on stage! With this painting my goals were to improve my brush work and to keep the colors light and appealing.

Using a bristle flat brush is greatly improving my brush work since it holds more paint and the marks are showing how luscious the paint is. The pears were juicy and luscious, so they should be depicted that way. My palette is a simple rainbow palette that I’ve been using for years but I’ve lightened things up now, reminding myself to stay in the higher value range.

Pear Solo — The Soloist - 5x7 oil on panel

This guy needed his portrait painted and didn’t have anything to do with that other group.

Thanks to the sale a Jay Mar, I’m stocked up on canvas now and will be painting more still lifes in the near future.

My collection of thrift store finds will be a future series of paintings and great composition practice.

Feel free to give me feedback or ask any questions in the comments section and thanks for looking!

Not Hobe Sound

February 25, 2012May 5, 2012 | Doreen E. Lepore

This is the first year in many that I haven’t been able to attend the “Artist Day” or I think it’s currently called “Brush with Nature” day at Adams Ranch in Ft. Pierce, FL. Unfortunately my husband had recent surgery and I’m not comfortable with leaving him for a whole day yet. So, today I’ll post some of my paintings from Adams Ranch, and believe me I have a few. The ranch is a wonderful place to paint and is a working ranch that is just huge (about 50,000 acres) with way more cows than people. My kind of place. Once a year they allow artists to occupy a section of the ranch and the cows watch us paint all day. Entertaining for all of us!

Hobe Sound Beach Umbrellas

January 28, 2012May 5, 2012 | Doreen E. Lepore

The actual title of this painting is “Postcard from Paradise” but it’s the usual spot at Hobe Sound Beach. This was done from a photograph that I had taken, actually I had taken many photographs that day because while I was there painting another painting more umbrellas kept popping up. I wanted to be sure that I had the maximum number of umbrellas and this is what I ended up with. The beach drops off and people set themselves up on the edge of the dune.

This is a pastel painting on Wallis Museum Grade paper. It’s a decent size – 18×24 and I started with a water color underpainting. The underpainting is mostly a block in of complementary colors. So, in the grassy foreground I used a reddish brown and pink for the sky and water. An underpainting also saves on pastels, because the Wallis paper is a sanded paper that will eat up the pastels fairly quickly.