Live Oak Concerto

Live Oak Concerto
Live Oak Concerto – Oil on Panel – 12×16

Haven’t had a chance to post anything lately.

These live oaks are located at Adams Ranch in Ft. Pierce.  They have such a happy,  lyrical,  uplifting look to them that I had to paint them with happy squiggles.

The painting panels I use are “Pintura” and they are canvas on wood.

Tin Roof – Rusted

Tin Roof - Rusted
Tin Roof – Rusted – oil on panel – knife painting – 11×14

This painting was done in Ft. Pierce as part of an invitational paint out.  The last time I was in the neighborhood, this building was completely renovated.  It wouldn’t be my choice as a painting subject anymore because all the character was removed.

The title is from that song by the B52’s – “Love Shack”.  Of course being in Ft. Pierce it was probably more likely a Drug Shack.

Why Paint?

Hobe Sound Rose Hobe Sound Rose – Pastel on paper – no camera involved (except to photograph the painting, that is) – a rose that I grew and a pot that I made.

The inspiration to paint can come from so many places……….. and yet there are some days you say to yourself, why paint?  Sometimes my inspiration is to just improve myself.  Most of the time I’m overwhelmed with ideas and objects that inspire me and then the thought runs through my head that I might be insane.  But that’s a whole nuther topic.

“Drawing as a means of expression is the justification of art over photography.” Andrew Loomis, Creative Illustration, 1947

How cool is that?  We’re still discussing this today in 2012, yet some people have never even been made aware of it.  It bothers me that there are so many people that judge good art by how close to a photograph the painting it is.  Not to mention the hyperrealist or photorealist painters that have the goal of painstakingly reproducing a photograph.  As if the photograph were the standard that paintings had to live up to.

Don’t misunderstand and think that I’m not in favor of photography because I love photography! It seems that over time artistic goals have sometimes become distorted.

Mr. Loomis was directing this to the art student (in the 1940’s!!!) and comparing  original illustration to photography which he said couldn’t provide the expressiveness that the artist could. He doesn’t throw photography out the window but at that time guides the artist to understand they aren’t being replaced by a camera.  Even though we now have the means to be more expressive with digital applications, the camera still can’t produce the surface and line quality nor the atmosphere and character that original art can.

So that is why you paint – to go beyond the photograph with your personal expression of the poetic landscape (or what ever your thing is).  One good reason,  anyway.

Sometimes it seems that things and/or thoughts are presented to you by some unseen spirit and you can’t help but think it must be meaningful.  Kismet.  Destiny.  Some amazing global consciousness!  Why else would all of these things come together at the same time?

Yes, I’m looking for answers and finding the ones that suit me but so are many other people which is validation enough for me.  Because after all, I do need to justify my obsession and insanity.

Riverbend

Riverbend
Riverbend - 8x10 Oil on Panel - Plein Air

Last week I painted this at Riverbend Park in Jupiter, FL.  It was the first time there for me and I was surprised at how big the park actually is.  There were many scenic views to choose from but since my pan head connection (the little foot that connects my palette to the tripod) was nowhere to be found, I had to make use of one of the picnic tables that had the added convenience of a chickee roof.  (The things that are made out of palm fronds.)

When I first arrived there was a man fishing on the river bank and he had all his gear on what I considered prime real estate – the picnic table with the view.  When I asked if we could share the table he was more than happy to accommodate, so problem solved.

However, not long after getting set up and ready to paint there were several more people that joined the painting group I was there with.  They saw me and thought that was the place to be, so we literally moved him completely out.  At first I felt bad, but he seemed to be enjoying the comradery and really, fishing/plein air painting, same thing.

The only down side was that two of the ladies set up in  front of me, sort of obstructing my view, but you win some and you lose some.  In the end, I won this little painting and I managed to get home before it rained!:)

Chorus Line

Chorus Line
Chorus Line, 8x10 Oil on Panel

The practice of setting up a small still life and limiting the time you spend on it has been around for a long time and it’s a practice that I enjoy.  Some of the most inspiring subjects are in the produce department and I find myself there testing the bartlet pears quite often.  Most people might be looking for softness, ripeness, but my tests are: can the pear can stand on it’s own, is it a shapely pear, and of course, how good is the color?

Once they’re home with me, I set them up with dramatic lighting, as if they are on stage!  With this painting my goals were to improve my brush work and to keep the colors light and appealing.

Using a bristle flat brush is greatly improving my brush work since it holds more paint and the marks are showing how luscious the paint is.  The pears were juicy and luscious, so they should be depicted that way.  My palette is a simple rainbow palette that I’ve been using for years but I’ve lightened things up now, reminding myself to stay in the higher value range.

The Soloist - 5x7 oil on panel

This guy needed his portrait painted and didn’t have anything to do with that other group.

Thanks to the sale a Jay Mar, I’m stocked up on canvas now and will be painting more still lifes in the near future.

My collection of thrift store finds will be a future series of paintings and great composition practice.

Feel free to give me feedback or ask any questions in the comments section and thanks for looking!

 

 

Hiatus in Hobe Sound

Since I’ve been in the process of regrouping and trying to get back to normal, what ever that is, I’ve taken the opportunity, as I usually do, to study and improve my technique. This usually applies to my brushwork and color mixing in oils. Not that I don’t work on my pastel technique also, but there seems to be less need for improvement and I usually approach pastels with a more adventurous attitude and will experiment more, possibly using new products. With oil I’ve gotten in the habit of using the painting knife too much and sort of lost touch with my brush work. Therefor I’ve been restricting the use of the knife to color mixing only!

The best way to study, for me anyway, is to do small still lifes and small landscape studies. My plan is to begin posting these and try not to get too hung up on how finished they look.

Since I haven’t photographed any of these paintings yet, but will soon, I’ll just put up something here that inspires me.

White City Water Lilies
White City Water Lilies

This was painted on location in White City, FL.

A bit of news that I can share is that I’ve been juried in to the Women Painters of the Southeast recently and look forward to participating in that group in the future. Go check them out, I’m in great company.

http://www.womenpaintersse.blogspot.com/